Give your choir a challenge with ‘a cappella’ singing

If your choir, like mine, is used to singing with an accompaniment, your singers might find the idea of singing ‘without a safety net’ quite daunting.

The benefits are huge, however, so think about whether it’s time to mix things up in your choir with some a cappella singing, whether it’s just for fun and development, or for a performance.

Accompaniment becomes a security blanket

It’s fantastic to have a good accompanist in rehearsals. As well as accompanying the choir’s singing, they help out with pitching notes and playing sections that need work.

But beware over-reliance on your accompanist. Is it necessary to feed the choir their starting notes every time you stop and re-start?

Think about giving your singers the opportunity to work on hearing the notes in their head before they make a sound.

Some choirs routinely have their accompanists play scales and other exercises to warm the choir up at the beginning of a rehearsal. Again, this can be pleasant for the choir, but is it really helping them in the long run?

Try some unaccompanied vocal exercises to get everyone’s brains working, as well as their voices. One of my favourites is to give one part of the choir a starting pitch, then ask another part to sing a major (or minor) third above, then another part the fifth.

We might then hold the chord and crescendo/decrescendo on it. There are any number of variations on this theme.

The important thing is that the choir is thinking about where to pitch the notes, not being fed the pitch every time.

Singing unaccompanied boosts singers’ skills

Perhaps the most important skill for any singer is the ability to listen. A cappella singing gives your choir the opportunity to listen more intently to their fellow singers than when an accompaniment or backing track is playing.

It’s also much more challenging to stay ‘in tune’ when singing unaccompanied. Reproducing a pitch that we hear from a piano or a recording is not the same skill as reproducing the same pitch over and over again without any external help.

If you find that your choir’s pitch slides (usually flat) when they sing unaccompanied, don’t be tempted to ask them to correct the tuning directly (unless they’re very experienced singers).

Most amateur singers don’t know what to change physically to affect their pitch. Instead, focus on standing tall, brightening the face, breathing with support and enunciating clearly.

All those things will help to maintain good intonation.

A cappella singing as a rehearsal tool

When you’re rehearsing accompanied music, it can be a very effective strategy to sing passages unaccompanied.

Try rehearsing two or more vocal parts together without the backing. It will help your choir to hear how the vocal parts work together to produce the whole musical picture.

If your choir works with backing tracks, try singing a whole song without the track. The choir will have to hear in their heads where the music is going, and count any instrumental passages. It’s a great learning tool.

Don’t be afraid to get it wrong!

One of the best things you can do for your choir is to create a culture in rehearsal where it’s okay to get things wrong.

If your choir has become very reliant on hearing an accompaniment or being given leading notes every time they sing, they will probably feel a bit precarious to start with.

It’s really worth sticking at it, though. A cappella singing is incredibly rewarding, and will really boost your choir’s skills.

Comments on Give your choir a challenge with ‘a cappella’ singing

  1. Avatar Maria says:

    Thanks for the tips will try with my choir

    1. Christine Mulgrew Christine Mulgrew says:

      Thanks Maria, let us know how you get on.

  2. Avatar Corryn says:

    Thank you for the encouragement I am going to try this with my choir for Christmas!

  3. Avatar Pat Cannell says:

    In my choir we sing as much a capella as possible. When we started I could not conceive of singing without an accompanist. How wrong I was, and I really wish that I had jumped in straight away with an a capella approach. I try to emphasise that what is being learnt is not a particular line of music as a separate entity but listening to the overall sound and combination of parts. If we use an acompanist it is because their contribution is as an additional layer, maybe because there are instrumental links which enhance the piece. I fear I may have offended accompanists who saw it as there role to drag the choir along come what may!

  4. Avatar Sara says:

    In my choir the Altos are very weak singers/low on confidence. Last night I did some A Capella verses and they responded well. Without the music to hide behind they sang more strongly and they got loads of praise!

  5. Avatar Megan Mackney says:

    Great article…we sing various things a cappella and they only have me to follow during warmups! We often rehearse parts a cappella too and whole songs…which can come in handy when, as happened to us the other day, the backing track decides to have a fit…I quietly turned it off and we sang the last third of “something inside so strong” unaccompanied…the audience had no idea and thought we meant to do it…and they sounded terrific!
    I would say though that it’s imperative that the singers watch the conductor like a hawk if singing unaccompanied…of course they should be doing this all the time but it’s particularly important during a cappella songs. :-)

    1. Avatar Victoria Hopkins says:

      Many thanks Megan.

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